Showing posts with label meaning jennie loving Tosin Shahnaz. Show all posts
Showing posts with label meaning jennie loving Tosin Shahnaz. Show all posts

Thursday, 24 November 2011

INSPIRATION: Other AS Trailers/Music Videos/Openings



'The 11th Hour'

- This particular example made excellent use of fast cuts (1.09-1.16) when one of the characters was being hit. The cuts made the impact/hit seem more intense, it was effective in creating tension for an audinence. The non-diegetic sound matched well: as the happenings heightened as did the sound.
For our opening, we think its important that we, as the above example, understand what time of mood we wish to show with the use of sound, ensuring it matches the plot and character actions well. Also for our death scene whereby the male characer gets hit by a car, we think it would be much more effective if we use fast cuts to again, increase tension.




- although this example is a music video, it perfectly makes use of slow motion in exactly the type of scene we intend to as well; an argument scene. Each outburts and gesture clearly shown and exaggerated with the use of slow motion.
The extreme close-ups of the characters face was effective in a sense it really stressed to the camera, just how exactly what she was feeling was written all over her face. Perfect examples of a close up reaction shot.
From about 4.31-4.39 the previous clips of the girl on her journey were cleverly, rewinded to the beginning point; this was a clever editing feature as it really shows just how one decision made on the characters part has this, chain of effect on the rest of the happenings, which i think really pulls the piece together.


Hush




To me, this media production was very creative and the imagination factor of this was very high. The music I thought matched the genre of the clip which I assume is a drama/thriller; the music is mellow and touching just as the sensitivity of the topic is. 
At the beginning of the clip, I feel as if the sepia/black and white effect was very effective as it was of a flashback and the sense of nostalgia was heightened with the lack of colour as if it was a real flashback. The transitions in these 25 seconds suited the purpose of memories as the fading of it made the short clips connected more and reflected how memories are thought and how they fade in and out of peoples heads.
I think the extreme close up shot at 0:46 was very effective and showed real emotion and it was almost as if you could read the actor's mind while she read the letter and her eyes were following the words. The word that stands out at 0:47, 'infertility', makes us comprehend the actor's reaction more and I think this was cleverly done as an extreme close up shot was used straight after this of her eyes again so it's almost like we can feel her sorrow.
The title shows at 1:07 and this is done when, assuming, the main actor has left the room.
The connotations of white for the title can be that of the unknown, an act she does which she may think is innocent but not for the audience and it's a colour normally associated with children.
The fact that the title is on it's own can possibly reflect the loneliness of the actor.
The cuts used from 2:22 which cross cut to the main actress to the mum in the park is a very good editing technique as we see what's happening in both parts rather than just having to focus on just one and missing out on what was happening in the other if it were all in one pan.



POSTED BY TOSIN/NAZ

Sunday, 20 November 2011

SHOT LIST- Changed.

Shot List: (Changed)

- Close up- Jennie's face (showing her uncomfortable facial expression as she sleeps)
- Extreme close up x4/Zoom in (Into Girls eyelid)- Jennie's facial features
- Fade to white screen- Signifies entering Jennie's dream
- Mid shot/Close-ups/Pan/- Collection of a few clips of Jennie and boyfriend hanging out* (Montage)
- Mid shot/shot reverse shot- Jennie and boyfriend argue
- Pan- Boyfriend storms out the room
- Screen Black Out- (Diegetic sound of a car crashing and possibly ambulance sirens)
- Extreme close up- Of Dead Boyfriends open eye
- Zoom out- Out of the boyfriends eye to the whole limp body.
- Low Angle- Showing the dead limp body being cradled desperately by Jennie.
- Flash to white screen
- Extreme Close up- Jennie's wide eye
- Zoom out- Out of Jennie's eye to her whole face
- Close up- Jenny's abrutly woken/shocked face- wide eyed as lovers hand comes across Jenny's chest.
- Aerial shot/ Birds eye view shot- Showing the entire bed with Jennie and lover.
- Mid shotJennie getting up and sitting on the side of the bed, hands on head.
- Mid shot- Jennie's partner wakes up and the pair share brief affection as minor dialogue is exchanged.

Post by Shahnaz, Tosin, Kulsuma and Stephanie