Showing posts with label genre research. Show all posts
Showing posts with label genre research. Show all posts

Tuesday, 8 November 2011

HISTORY OF HOMOSEXUALITY: General/Film

History of Homosexuality
General social attitudes towards same-sex relationships have varied over time and place. Homosexuality was seen as a psychiatric disorder for many years, although the studies for this theory were later found to be flawed.
 In 1973 homosexuality was declassified as a mental illness in the UK. In 1986 all references to homosexuality as a psychiatric disorder were removed from the Diagnostic and Statistical Manual of Mental Disorders (DSM) of the American Psychiatric Association.
The early years of Hollywood, from the 1890s to the 1930s homosexuality was rarely depicted on the screen. When it did appear, it was there as something to laugh at, ‘sure-fire source of humour, object of ridicule’, or something to pity, or even something to fear in some cases. ‘Hollywood taught straight people what to think about gay people... and gay people what to think about themselves in a sense’

It was also in this time a character of the what Hollywood called the ‘sissy’ was popular, such a character was a source of amusement and reassurance for the audience. The sissy was not seen as a threatening representation of homosexuality because ‘he occupied a middle ground between masculinity and femininity.’
From the 1930s to the 1950s, religious and women’s groups criticized Hollywood films for contributing to immorality. As a result, the industry introduced a self-censorship code that affected the portrayal of homosexuality. During these years, films could not feature openly homosexual characters—so homosexuality was implied through a character’s mannerisms and behaviour.
In the 1960s and 1970s,  the event of the women’s movement and the gay rights movement began. While gays and lesbians were becoming more visible and vocal in public life, their representation in films was becoming even more homophobic. At this time, gay characters were often represented as dangerous, violent, or murderous.

It was only in the mid '80s a change hit American theatres, foreign films with gay male protagonists and clear depictions of gay male sexuality began filling theatres across America, getting good reviews and doing well at the box office.
Since the 1990s, Hollywood has improved its portrayal of gay and lesbian characters. But despite these advances, critics say that ‘the industry is still too cautious in its portrayals of gay themes, characters, and experiences.’ Hollywood films are designed to appeal to as large an audience as possible; and producers fear that focusing on gay and lesbian themes risks offending a large portion of the audience, as well as potential investors.

Examples of early movies lesbian, gay or transgender related movies:
  • Lot in Sodom (1993) The movie uses experimental techniques, Avant-Garde imagery and strong allusions to sexuality, especially homosexuality.
  • A Florida Enchantment (1914)
  • Go Fish (1994 American lesbian-themed independent drama film that tells the story of the interrelationships of a small group of lesbian friends in Chicago. Includes a number of discussions on lesbian issues, dream sequences, commentary that breaks the fourth wall.
  • My Beautiful Laundrette (1985)
  • Philadelphia (1993) American drama film that was one of the first mainstream Hollywood films to acknowledge HIV/AIDS, homosexuality and homophobia.
  • The Children's Hour (1961)  The film is based on the play The Children's Hour. Audrey Hepburn and Shirley MacLaine play school teachers falsely accused of having lesbian relationship; one of them realizes that she is in love with the other.
    Desert Hearts (1985) lesbian-themed romantic drama film.
  • The Leather Boys (1964) British drama film about the rocker subculture in London featuring a gay motorcyclist. This film is notable as an early example of a film that violated the Hollywood production code, yet was still shown in the United States, as well as an important film in the genre of gay cinema.
By Tosin

Wednesday, 2 November 2011

MISE EN SCENE- Costume

COSTUME IDEAS

Our film opening will introduce two gay protagonists who effectively we want to portray in the best possible way that stays in theme with common conventions of a romance film, in terms of costume.
Our research into costume of both straight and lesbian woman stereotypically in romance films shows the following aspects:

- revealing clothes, sometimes sexualised (shows or represents their feminity or vulnerability)
- depending on the character but widely used in bright coloured costumes, majorly white or red (could represent their pure love and affection)
- lesbian woman in films costume can normally go to ways feminine with an edgy twist to complete that tom-boyish look or simply masculine and sometimes unflattering. (Chunky jewelerry, bold hairstyles, etc)

We intend to adapt the more 'feminine with an edgy twist' type representation in terms of costume for our film opening, because we feel it will still portray the theme properly while giving the characters some depth to them, through the connotations of their costume choices.

Examples:

The colour choice, white, of this costume could still reflect feminity but even the fact its a shirt could also highlight that minor element of masculinity. The dark beaded jewellery and dark eye make up adds to the whole edgy look.

Revealing pastel coloured costume again reflects feminity and even their vulnerability but yet openess with each other in every aspect; physically etc.
Similar to the first example, the chunky jewlerry, short plaid skirt all ties into creating the impression this character is bold in her costume choice.



AUDIENCE RESPONSE SURVEY ANALYSIS

AUDIENCE RESPONSE SURVEY ANALYSIS

We consider it important to analyse our target audience's answers to our survey to acknowledge the aspects they are interested in viewing and if its something plausible for us as a group to produce, in terms of location, character style/age/gender, sub-genre, sound etc.

Below are the results:



SURVEY ANALYSIS



Although prior to creating this survey, our group had unanimously decided we would like our sub-genre to be tragedy and its clear our audience chose comedy but we think considering the basis of our plot in homosexuality, an issue we think in this case, shouldn’t neccessarily be satrized or made humourous. And in addition to this, as tragedy came a close second choice, we think our decision to stay with our original sub-genre is justified.








Our target audience chose ‘acoustic’ non-diegtic music for and we think this is perfect and will definitely fit with the over all atmosphere and emotions we will try to create in our film opening.







Any of the above would have been acceptable to add to our plot and this also shows how the theme of homosexuality amongst others are considered to be typically included in rated 15 films.





This is exactly the response we were hoping for as we intend to show our characters personality and emotions through acting/physical interaction rather than dialogue. We think collectively it seems more effective. This also applies to the response on Question 6.







Again, as a group we had already decided to create characters that, portray a female lesbian couple and this seems to be, same as gay couples, something our audience is very responsive to.




Our audience seemed to gravitate towards making the homosexual couple slightly older, but as our target audience is still 15-21, then we still think any of the above age groups would be suitable and still able to be clearly relate and provoke emotions within our target audience.





Although our audience response to this particular question showed the majority wanted the  film location to be a work/school environment, taking into consideration our plot and themes and just how strongly we feel about showing intamacy between characters; we dont think the chosen location would be suitable. Instead we have chosen the close second choice, home/flat.





Any of the above would have been suitable, and most probably we will include all those features mentioned above in order to enusre our film opening maintains common codes and conventions of other romance films.

POSTED BY SHAHNAZ

Tuesday, 1 November 2011

AUDIENCE RESPONSE SURVEY

AUDIENCE RESPONSE SURVEY

The purpose of our audience response survey was to find out what our target audience (15-21yrs old) would want to see in a romance movie. Although our group has already thought out a structure and plot features of our opening, the audience response would still definitely be beneficial towards the production decisions we will have to make.
Since we indeed chose homosexuality as the basis of our plot; we subjected our questions in the below survey to it. This is to really narrow down exactly how our audience wish to see homosexuality presented.




 1. What type of sub-genre would you like to see in a romance film?

2. Do you have a prefered sound track type you would like to hear in a romance film?

3. We intend out film opening to be rated 15, what would you like to see in a rated 15 romance movie ?

4. In a typical film opening for a romance movie, which you of the following would you prefer?

5. Which of the following would you prefer in a movie based on homosexuality ?

6. How would you prefer to say the main characters/protagonist effectively convey emotion about/towards eachother?

7. What age would you prefer the homosexual couple to be?

8. Which of the following ethnicities would you like the characters that are portraying the couple to be?

9. In which of the following locations would you prefer the romance film opening to be in?

10. Which of these do you think could effectively introduce the couple and the film theme of sexuality?



SLUMDOG MILLIONAIRE- DECONSTRUCTION

Slumdog Millionaire
       •Throughout this film, the love story is shown through intervals of a tense game. The close ups into his face shows reality through his facial emotions and the intense sweat on his face and also as the camera is doing extreme close ups, it feels as though it also zooms into memories.
      •When the story follows the train track, this also represents the long journey that they will have in life to become reconnected. As a train has many important parts to it (carriages), these could also represent the significant parts in their lives. It may also signify that although they may seem to be close, there is always something breaking them.
     •The darkness and dirtiness shown in the beginning parts of their childhood memories could foreshadow the hard times ahead of them. It is all quite hard and horrid and could highlight the depressing days that they grow up to endure.
     •Many establishing shots are used to set the disgusting scenes of what poverty is like in India. Establishing shots were used to show slums, derelict rubbish dumps and also the immense and growing population involved in the poverty struggle.
     •Diegetic sounds were used to illustrate the situations people were involved in but did not show the images as they may have been too graphic e.g. in the building in which a two people were engaging in a sexual activity. A lot of the diegetic sounds gave the audience a true feel of the surroundings, eg it wasn’t all quiet when focusing on a particular character but all the surrounding, cars, motorbikes and dialect were involved in the background.

Deconstruction by Kulsuma.