Showing posts with label Shahnaz. Show all posts
Showing posts with label Shahnaz. Show all posts

Tuesday, 3 January 2012

LOVING JENNIE- Meaning

Loving Jennie


Meaning

Our film opening is titled 'Loving Jennie' because we feel not only do it presumably suggest the genre of the film but also the omission of the name of the person who 'loves' Jennnie, subtly refers to the fact, we have more than one person in our plot who loves Jennie, our protagonist.
We want our audience to understand our title as perhaps an understated summary of our plot.









POSTED BY TOSIN AND SHAHNAZ

Thursday, 22 December 2011

SHOOT UPDATE: Sunday 18th December 2011

Shoot 3- Update




 (Bedroom Scene: Re-shoot- Shahnaz and Jennie)

 (Death Scene- Roland after being run over)




(Clips from our montage: Jennie and Roland)



We changed a few aspects:

-Instead of filming some clips in a local park, like previously decided, we filmed it in the same bedroom that Jennie now shares with her female lover (but we changed the bed sheet to imply a totally different time frame). We decided using the same bedroom seems more personal and more intimate, in terms of wanting to the real chemistry between Roland and Jennie.
- We added a quick POV shot of the unknown driver (in the car: showing the dashboard) in the death scene.
- Instead of creating bruises or scars or even using fake blood on our character, Roland's, t-shirt we thought it be would more effective and realistic to scatter the fake blood on the concrete road near his head, to suggest a fatal head injury.

PICTURES TAKEN BY: SHANHNAZ, STEPHANIE, KULSUMA, TOSIN
POSTED BY TOSIN


We again all took still images of our work and efforts in progress.

Sunday, 18 December 2011

SHOOT UPDATE: Sunday 4th December 2011

Shoot 2- Update


We again all took still images of our work and efforts in progress.




(Night time Montage Clip- Location)

(Male character of Roland-Montage Clip)


(Argument Scene- Location)

We changed a few aspects:

-The positioning of the argument scene was decided to be the bottom of some stairs as it will look more forseeably that the character of Roland will easily storm out the front door after that.
- Instead of the aerial shot of Jennie's eye (entering the dream) we decided on a simple close up shot, as it appeared less shaky and smoother.
- We decided to have one of the clips from the montage with a dark night/moon backdrop with just Roland. This was to appear more romantic and almost as if Jennie is the one filming him, as he messes about.
- We also realised we wished to re-shoot the bedroom scene on our next shooting day with a different second main character (the lover).

PICTURES TAKEN BY: SHANHNAZ, STEPHANIE, KULSUMA, TOSIN
POSTED BY TOSIN


Tuesday, 13 December 2011

TYPOGRAPHY- 'Loving Jennie'

Typography- 'Loving Jennie'

Now our group has decided on a name of our film, we have a few researched options, that we feel will be suitable for our film genre and our audience can understand.

To aid us in our research into different font types, we used 'dafonts.com'.










Below are the shortlist font types we collectively have decided on:



(bebas neue)


This font is edgy, yet has a sense of subtle femininity to it, and could possibly satisfy the general themes of our film of heterosexual love to lesbian love.




(jenna Sue)



This font is typically used for titles in films etc that have similar genre to ours. The curly letters collectively resemble handwriting of perhaps a love letter and it's also a font type that our audience can quickly see and assume the genre of our opening.

Similar to the above font type, this one seems like handwriting which gives a personal feel to it. Again, its a font type that will be synchronous not only with our genre but the type of impression, we wish our opening, to give to our desired audience.



(harting)

This font looks like type writing letter and it appears as if it has been written sincerely by an actual person, complementing the possible reality of the film and that this could actually happen. The roughness of the lettering creates an edgy effect which symbolises the drastic change in sexuality our protagonist goes through to make her the lesbian she is now.




 (aerial demented)



This font's shattered effect shows how our protagonist's life became quite shattered and shocked her when her lover was ran over, the font portrays this but it doesn't mean that she's given up, because the title forms actual words, it also reflects how she has picked up the pieces from the past and is giving love another chance although her sexuality has changed and her outlook on life, as she comes to term with the harsh reality and somehow she finds an inner strength that emerges in the form of her sexuality.






POSTED BY SHAHNAZ/TOSIN

Tuesday, 29 November 2011

FILM TITLE IDEAS

We thought of many names for our film opening and after discussing the connotations and relevance of each to our flm opening, we came up with:

- Changes
- The Three of Us

- Our Route
- Way we are
- Loving Jennie
- Swings

After deep thought, we decided to shortlist it to :
- The Three of Us
- Way we are
- Loving Jennie

We then decided on the name 'Loving Jennie'  as we believed it suited the film. We got the idea from the previous film called 'Loving Annabelle',  a lesbian based film which came out in 2006. We feel that the name is short but meaningful, and in a way denotes our film as our main character is called Jennie and our co stars are all involved with her.

Posted by Kulsuma/Shahnaz

SHOOT UPDATE: Monday 28th November


Shoot 1- Update

As we filmed the beginning of our opening, we all took still images of our work and efforts in progress.








(Bedroom Scene)
Upon beginning to film, we realised a few aspects of our prepared storyboard (this includes certain camera shots etc) in execution wasn't either practicable or something we felt added anything to the scene or atmosphere we were trying to achieve, but we also added a few new shots:

- The extreme close ups of Jennie's mouth and nose etc was not needed nor adding anything. Only a extreme close up of her eye is needed, to signify the beginning and entrance of her dream.
- The shot where Jennie reachs for her bra on the bedside table; instead we simply placed the bra in the background of the shot. We'd rather leave it to the audience's imagination as what whose bra it is etc.
- We added a low angle shot of the messy floor of the bedroom; this is to, not only establish the setting a bit more. but also because the props scattered across the floor are each significant into understanding who the character(s) is and implies certain events maybe that could have previous happend that resulted in the room being messy like that.
- We also added a pan where Jennie goes towards the window and we managed to get a close up of her face looking out the window  (A reflection of her face against the window)

PICTURES TAKEN BY: SHANHNAZ, STEPHANIE, KULSUMA, TOSIN
POSTED BY TOSIN

Tuesday, 22 November 2011

TYPOGRAPHY- Of movies in our genre

The examples of typigraphy below for different films will help us in deciding which would be most suitable for our own film title; the inspiration of them will help us in designing our own. In this we must consider colour, size and juxtapositioning and it must coordinate with our genre of homosexuality and possibly have connotations to make the title as meaningful as it can be.






This title connotes straight away as the colour of the title is that of a deep crimson representing passion and love. The fact that it is written in a font that looks like actual handwriting may suggest that the love that is within the film is genuine and real and self explanitary just as hand writing is; it's a form of identity and it makes it more personal as if someone has written an actual love letter which fits in with the genre of romance.



The way the words are written are in a very solid and bold font which could connote a sense of solidarity and meaningfulness in what has been written, as if it's almost a promise that has to be kept; "Remember Me". The slight fade in the words however can mirror how memories tend to be forgotten or not clearly remembered.
The red again connotes love and is a bold colour which makes it stand out even more against the white background.




The colours used in this title are that of a very mature colour scheme which reflects the age of the actors in the film which are of an older age. The font is very simple but creates and effect of effortlessness and how something simple can look so elegant even though it is a "traditional" font; this can be age related and suggest the same for older people and how they can still be stylish despite their age and the amount of fashion changes they have witnessed in their life times.



The words 'Dear John' have the colours of white and yellow have been used I think to reflect the gentleness of love and it makes the appearance of it much more softer to the eye which also reflects the softness of emotions. The block capitals makes it seem like it's an important address to someone, John, and because the sky is the background, it could reflect that this is in someone's thoughts.



The typography of this film is very unusual. Even though it's about love, the colours aren't the first you would pick to represent love. The black against white could be a binary opposition of good and evil: black and white. The black can be to represent elegance and power positively or in a negative sense, death and grief. The colour black has worse connotations than the colour white The white however has connotations of light, innocence, purity and cleanliness. Both can connote, however, enigmas and the unknown which is probably why they have been used simultaneously, to create a visual enigma.

POSTED BY SHAHNAZ

Sunday, 20 November 2011

STORYBOARD

Draft 1:

Our storyboard gives a shot by shot breakdown of our entire film opening. This includes the use of sound (diegetic and non-diegetic), camera angles, lighting and transitions.



1. (Head on shot- straight into camera lens) Close up of Jennie's face, as she sleeps.   (Non-diegetic sound begins- fade out sound)
1A. Collection of four extreme close-ups of Jennie's facial features and a zoom into Jennie's eyelid. (Non-diegetic sounds continues)
2. Screen fades to white, to signify the entering and beginning of Jennie's dream. (Previous non-diegetic sounds pauses, transitions to another as montage begins)
3/3A. Montage (within the dream): 4+ clips showing the couples relationship progression and 'good times' e.g memories of them hanging out over a period of time leading up to the death. (New Non-diegetic sounds continues)
4.  (Ending of the montage)- Jennie's boyfreind dies from a fatal car accident. (Diegetic sound of Ambulance Sirens and a faint sounds of a repeating heartbeat)

5. Extreme close up of Jennie's wide eye (Diegetic sound of the heartbeat gradually increases and comes to an abrupt halt as her eye snaps open)
5A. Close up of Jennie's face and chest (as an unexpected hand comes across her chest)
6. Aerial/Birds eye view shot of Jennie and asleep lover on bed.
7. Mid-shot of a disturbed Jennie, head in hands.
7A. Eye-line match/Close up of exactly what Jennie was looking at; Alarm clock covered by a disgarded bra. Pan as Jennie reaches for the bra.
8. Mid shot; affectionate moment between Jennie and her now woken lover. (Dialogue exchange)

Post by Tosin, Stephanie, Shahnaz and Kulsuma

Thursday, 10 November 2011

GENRE THEMES: Sound

SOUND IDEAS

Considering the feedback we received concerning the non-diegetic sound of our film opening, we have researched similar themed romance films which make use of a particular type of music for each individual event or turn in the plot, how we could adapt how they use it and the effect it has.

Examples:






This song would be suitable for the flashback scene of our film opening because it is gentle but upbeat at the same time and this could reflect the bittersweet memories our character has in her dream. This sound track also gives me a sense of nostalgia and this would reflect the reminiscent theme of the flashback.



I feel that this song would be suitable for the flashback in our film opening because personally I sense a feeling of nostalgia in this piece and is of a very reflective tone and I think that this would compliment the whole point of a flashback very well in this segment of the clip, the flashback. It should be muffled at first then the sound should increase when the flashback in her dream starts.




This song is that of just an instrumental and the slow paced but upbeat element to it makes it ideal for a background song for the flashback of the happy moments in the main character in our film opening's dream. It is calm yet reflects the serenity of a good and loving relationship.




I think this song would be ideal for the part of the flashback where the boy in our main character's life dies. The song is morose and quite dramatic to reflect the sudden change that happens in her life and how that this could mean a big change for her. The sadness of the music reflects the pain our main character feels towards this incident.



This piece of acoustic music would be ideal for our flashback in our film opening. It is calm and light hearted reflecting the feeling of love and because of this reflection I feel that this style of music would be appropriate for our film opening.


As a group we have come to the decision of using acoustic music in our flashback and the soft tones of the guitar creates a great impact in showing how something so gentle can be very effective in the subtlest way. 


POSTED BY SHAHNAZ

Wednesday, 2 November 2011

AUDIENCE RESPONSE SURVEY ANALYSIS

AUDIENCE RESPONSE SURVEY ANALYSIS

We consider it important to analyse our target audience's answers to our survey to acknowledge the aspects they are interested in viewing and if its something plausible for us as a group to produce, in terms of location, character style/age/gender, sub-genre, sound etc.

Below are the results:



SURVEY ANALYSIS



Although prior to creating this survey, our group had unanimously decided we would like our sub-genre to be tragedy and its clear our audience chose comedy but we think considering the basis of our plot in homosexuality, an issue we think in this case, shouldn’t neccessarily be satrized or made humourous. And in addition to this, as tragedy came a close second choice, we think our decision to stay with our original sub-genre is justified.








Our target audience chose ‘acoustic’ non-diegtic music for and we think this is perfect and will definitely fit with the over all atmosphere and emotions we will try to create in our film opening.







Any of the above would have been acceptable to add to our plot and this also shows how the theme of homosexuality amongst others are considered to be typically included in rated 15 films.





This is exactly the response we were hoping for as we intend to show our characters personality and emotions through acting/physical interaction rather than dialogue. We think collectively it seems more effective. This also applies to the response on Question 6.







Again, as a group we had already decided to create characters that, portray a female lesbian couple and this seems to be, same as gay couples, something our audience is very responsive to.




Our audience seemed to gravitate towards making the homosexual couple slightly older, but as our target audience is still 15-21, then we still think any of the above age groups would be suitable and still able to be clearly relate and provoke emotions within our target audience.





Although our audience response to this particular question showed the majority wanted the  film location to be a work/school environment, taking into consideration our plot and themes and just how strongly we feel about showing intamacy between characters; we dont think the chosen location would be suitable. Instead we have chosen the close second choice, home/flat.





Any of the above would have been suitable, and most probably we will include all those features mentioned above in order to enusre our film opening maintains common codes and conventions of other romance films.

POSTED BY SHAHNAZ

Tuesday, 1 November 2011

AUDIENCE RESPONSE SURVEY

AUDIENCE RESPONSE SURVEY

The purpose of our audience response survey was to find out what our target audience (15-21yrs old) would want to see in a romance movie. Although our group has already thought out a structure and plot features of our opening, the audience response would still definitely be beneficial towards the production decisions we will have to make.
Since we indeed chose homosexuality as the basis of our plot; we subjected our questions in the below survey to it. This is to really narrow down exactly how our audience wish to see homosexuality presented.




 1. What type of sub-genre would you like to see in a romance film?

2. Do you have a prefered sound track type you would like to hear in a romance film?

3. We intend out film opening to be rated 15, what would you like to see in a rated 15 romance movie ?

4. In a typical film opening for a romance movie, which you of the following would you prefer?

5. Which of the following would you prefer in a movie based on homosexuality ?

6. How would you prefer to say the main characters/protagonist effectively convey emotion about/towards eachother?

7. What age would you prefer the homosexual couple to be?

8. Which of the following ethnicities would you like the characters that are portraying the couple to be?

9. In which of the following locations would you prefer the romance film opening to be in?

10. Which of these do you think could effectively introduce the couple and the film theme of sexuality?